Dostoevsky and English Modernism 1900–1930
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Both scholars securely position their studies within their historical and cultural contexts and thus provide fresh viewpoints on the seminal movements of English Modernism and Russian Symbolism.
Loudoun County Public Library - Dostoevsky and English modernism, / Kaye, Peter
As Polonsky notes, Russia has long been a receiver culture and this was rarely more true than at the end of the nineteenth century when Russia witnessed an aesthetic renaissance, defined 'as a historical moment of intense assimilativeness to foreign ideas and artistic forms' p.
Polonsky's primary topic is 'the poetic aspect' of Russia's aesthetic renaissance and her theoretical approach is largely based on Iurii Lotman's and Hans Robert Jauss's ideas on the dialogic nature of cultural receptivity Her aim is to 'reveal the dynamic of a double receptivity at work in the prevailing aesthetic attitude of the turn-of-the-century period; a renewed receptivity to foreign literatures that led to a receptivity towards a variety of rediscovered pasts, Russia's own past among them' p.
In her first chapter, 'Museum People', Polonsky traces how Symbolism developed as a reaction of the young generation against the positivist 'fathers'. However, it was they who, in the early s, established comparative literat ure as an academic subject and through their extensive historical, literary scholarship, laid the foundations for the Russian aesthetic renaissance. Both were markedly influenced by English aesthetic ideas, styles and Date: Mar.
Dostoevsky in Moderation - Thomas Mann
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